Find composition details, parts / movement information and albums that contain performances of Sequenza III, for voice on AllMusic. Luciano Berio. Sequenza . Sequenza III (author’s note). Sequenza III for voice (). The voice carries always an excess of connotations, whatever it is doing. From the grossest of noises. Berio described Sequenza III as being a 3 part invention built on elements of text, performance would be different, the directions on the score are very precise.

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Share on facebook twitter tumblr. Sequenza III is a piece very much of its era, paralleling other experiments in vocal music and textual meaning such jii Cage ‘s Aria and Ligeti ‘s Aventures Romantic Evening Sex All Themes.

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Introspection Late Night Partying. Inspired by Berberian’s extraordinary vocal prowess, Berio set out in Sequenza III to create a catalog of vocal gestures that encompassed the gamut of effects and techniques. Please enable JavaScript in your browser to use the site fully. Nel labirinto della voce. The voice carries always an excess of connotations, whatever it is doing. Sequenza III variously requires the performer to mutter under the breath, laugh, and sing in the conventional manner.


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Is this the most bizarre and technically difficult piece of vocal music ever – Classic FM

In the Voice Labyrinth. Karlheinz Stockhausen, Luciano Berio.

Il contenuto di questa pagina richiede una nuova versione di Adobe Flash Player. The Great Works for Voice. Jazz Latin New Age. In order to control such a wide range of vocal behaviour, I felt I had to break iji the text in an apparently devastating way, so as to be able to recuperate fragments from it on different expressive planes, and to reshape them into units that were not discursive but bwrio.

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Sequenza III, for voice | Details | AllMusic

In Sequenza III I tried to assimilate many aspects of everyday vocal life, including trivial ones, without losing intermediate levels or indeed normal singing. Genre Vocal Music Classical. The text had to be homogeneous, in order to lend itself to a project that consisted essentially seqienza exorcising the excessive connotations and composing them into musical units.

For this reason Sequenza III can also be considered as a dramatic essay whose story, so to speak, is the relationship between the soloist and her own voice Sequenza III was written in for Cathy Berberian.


Sequenza III (author’s note)

One of Luciano Berio’s most fruitful sources of inspiration was his long collaboration with soprano Cathy Berberian – 83who was the composer’s wife as well as a primary exponent of his work throughout the s.

The “text” consists of vocatives of little semantic value by Markus Kutter; meaning instead emerges via the soprano’s evocation of particular expressive formulas: In Memoriam Cathy Berberian. AllMusic Featured Composition Noteworthy. Streams Videos All Posts. Songs for Seven Centuries.

Although Berio and Berberian divorced in the mids, their musical collaboration continued into the s. From the grossest of noises to the most delicate of singing, the voice always means something, always refers beyond itself and creates a huge range of associations.

Give me a few words for a woman to sing a truth allowing us to build a house without worrying before night comes.